Showing posts with label language. Show all posts
Showing posts with label language. Show all posts

29.7.13

The Tepui Chronicles: South America, Part III

DOS·PIES·EN·EL·SUELO: idiom \dos-Piēs-en-el-Suēlo\ both feet on the ground

He was a reticent, I could tell. He demonstrated a subtle kind of panache, a cool sort of sobriety, sitting a row above the group of chattering maestros engulfing two American girls.

Jess and I had landed in the heart of South America with little more than a touchy four wheeler, two battered suitcases and a bag of foreign coins. And finding ourselves at a local soccer match with new friends, in an exotic, mountainous village 200 miles into a thick, lush rainforest, we swore we had found paradise.

They were teaching us the rules, speaking rapidly in heightened animation. With each phrase we mimicked came an ejaculated si, si from our new friends. Phones were passed hand to hand, pics snapped absent-mindedly, and an intermittent cheer for the goalie.

Words, it became clear, were useless — unnecessary, even. We resorted to other means of communication: hand motions, gestures, a game of charades and a repeated vamos, a word that had come to encompass so many more meanings: yes. now. go. act. move. pursue. ascend. fly.

He was taller than the others and, I presumed, older. He stood apart, speaking only when probed for a translation. He knew english, and had overheard Jess and I when we assumed ourselves beneath the guise of a language barrier.

The way he knew the words both sides needed to communicate but withheld them, gave him an ascribed sort of power, an esteem among the others. Something about that, his insinuating silence, captured my intrigue. I had to make him out.

I entreated delicately: an imploring question — direct, yet subtle. He returned. It became an inquisition: a play of the cards. my draw, then his. a move and a response.

They wanted to treat us to our last night in Monteverde, they said, as we stepped away from the arena. We followed. He kickstarted his bike, calling my name. I jumped on and we flew across the bumpy road of that small, uncharted rainforest. 

I could see the pull of his veins as he held the handlebars of the old motorcycle with familiarity. He weaved in and out of jungle terrain, flying past large, wet foliage and ducking beneath low-hanging bunches of bananas. I lifted my eyes to see a sky full of stars, splattered across the sky like diamonds unstrung. He eased off the gas and I brought my arms outward. 


As he put on the brakes and I beheld a view that made my pulse quicken. There, at the peak of Monteverde, a panorama of a magnanimous jungle stood before me, cocooning the distant chattering of monkeys and whoops of playful birds below the settling mist. A dense, humid wilderness wild with life, with a pulse, its own heartbeat. 

The top of the world, he said easily.


How loosely rang the rhythmic cadence of his tongue in the presence of his own, but here words were sparse and chosen with care, as if the telling itself would cheapen all that the silence suggested.


Words were unconfined by the jurisdiction of a definition, each infused with new meanings and connotations that challenged the mediocrity of commonplace words. Lacking access to verbal communication made it so much the more tantalizing. We were fraught with the need to share, to tell, to let loose the billowing surge of something from within.


I told him I didn't want to leave this place. He said he never intends to. And there in the silence, I
 laughed. Then he laughed. There was no reason. No witty aphorism or comical remark to warrant it, but there we were snickering into the vast magical darkness purely as a release of uncontainable awe amid such splendor. 

Perhaps the impermanence of it made it all the more magical. And I fell all over again, for not a man but a people on this night in which so much was said, but so little was spoken.




Rachel LowryThe Tepui Chronicles Part III
Image via

6.7.12

All of us, We are Writers


We — yes we. all of us, we are writers. 

Not with pen, nor keypad, do we write. No. But by tongue — between the partition of hello and goodbye. It begins at the onset of a first meeting. Hands shake and names are given. One probes further and the other writes — what I mean to say is that the other narrates, sculpts for his inquirer his own character. Out of a barrage of facets that make up your life experience, you carve out a persona that stands apart from the kind of indeterminable creature you have been set out to be, by the uninformed acquaintance. You, in essence, try to fit the three-part, million word trilogy into a children's storybook. With pictures. We all do it. Me? Yes, I write too. 

"Rachel," I say, "Rachel Lowry"

"How do I keep myself busy? Why, I would say my busyness keeps me, rather than the other way around." Yada yada yada.

For some, we give trinkets, "I have never had a cavity." For others, we supply the given, "I studied at the Y. English. Yes, I write." For most, I avert the usual. "Never mind how old I am." For many, I digress. "I find poppy seeds a strange thing to be considered eatable." For the few, I implode with some exciting something to say. "I haven't given up on the idea of living in New York yet. Maybe in the fall." And my acquaintance does the same. 

I, like you, have lived long enough to have one hell of a good story or two to tell. And here we sit before one another, talking of ghost towns and New York in the fall. Yet for most, we keep our lips pressed before divulging those deep wells of what give us our drive. We hold this portion of ourselves for later.

But for a few. For them, we share because we sense they need it more than we do. Because sometimes, our agenda is irrelevant and these experiences are not ours to hoard. And so I string my story and you string yours.

And then there's always the fear that our tale will be inaccurate, that our telling could never really show the way a moment still trembles beneath the surface of our skin some ten years later. How i wish this falling short of truly knowing somebody weren't the ever-present reality.

But then, how beautiful is the attempt to share this round thing we call life with the other. As I eagerly wait with my lips parted at the edge of my tea cup, to be given a trinket or two from a new acquaintance across the table, as if the sharing of it were the whole of our being.

© 2012 by Rachel Lowry. All rights reserved. {photo via}

15.3.12

Little Letters Series: I Like Words


Copywriter Robert Pirosh landed in Hollywood in 1934. Eager to become a screenwriter, he sent the following letter to all the directors, producers, and studio executives he could think of. The approach worked and after securing three interviews, he took a job as a junior writer with MGM. Pirosh went on to write for the Marx Brothers, and in 1949 won an Academy Award for his Battleground script.
Dear Sir:

I like words. I like fat buttery words, such as ooze, turpitude, glutinous, toady. I like solemn, angular, creaky words, such as straitlaced, cantankerous, pecunious, valedictory. I like spurious, black-is-white words, such as mortician, liquidate, tonsorial, demi-monde. I like suave "V" words, such as Svengali, svelte, bravura, verve. I like crunchy, brittle, crackly words, such as splinter, grapple, jostle, crusty. I like sullen, crabbed, scowling words, such as skulk, glower, scabby, churl. I like Oh-Heavens, my-gracious, land's-sake words, such as tricksy, tucker, genteel, horrid. I like elegant, flowery words, such as estivate, peregrinate, elysium, halcyon. I like wormy, squirmy, mealy words, such as crawl, blubber, squeal, drip. I like sniggly, chuckling words, such as cowlick, gurgle, bubble and burp.

I like the word screenwriter better than copywriter, so I decided to quit my job in a New York advertising agency and try my luck in Hollywood, but before taking the plunge I went to Europe for a year of study, contemplation and horsing around.

I have just returned and I still like words.

May I have a few with you?

Robert Pirosh
385 Madison Avenue
Room 610
New York
Eldorado 5-6024

{photo via(Source: Dear Wit.)