Showing posts with label an adventure. Show all posts
Showing posts with label an adventure. Show all posts

29.7.13

The Tepui Chronicles: South America, Part III

DOS·PIES·EN·EL·SUELO: idiom \dos-Piēs-en-el-Suēlo\ both feet on the ground

He was a reticent, I could tell. He demonstrated a subtle kind of panache, a cool sort of sobriety, sitting a row above the group of chattering maestros engulfing two American girls.

Jess and I had landed in the heart of South America with little more than a touchy four wheeler, two battered suitcases and a bag of foreign coins. And finding ourselves at a local soccer match with new friends, in an exotic, mountainous village 200 miles into a thick, lush rainforest, we swore we had found paradise.

They were teaching us the rules, speaking rapidly in heightened animation. With each phrase we mimicked came an ejaculated si, si from our new friends. Phones were passed hand to hand, pics snapped absent-mindedly, and an intermittent cheer for the goalie.

Words, it became clear, were useless — unnecessary, even. We resorted to other means of communication: hand motions, gestures, a game of charades and a repeated vamos, a word that had come to encompass so many more meanings: yes. now. go. act. move. pursue. ascend. fly.

He was taller than the others and, I presumed, older. He stood apart, speaking only when probed for a translation. He knew english, and had overheard Jess and I when we assumed ourselves beneath the guise of a language barrier.

The way he knew the words both sides needed to communicate but withheld them, gave him an ascribed sort of power, an esteem among the others. Something about that, his insinuating silence, captured my intrigue. I had to make him out.

I entreated delicately: an imploring question — direct, yet subtle. He returned. It became an inquisition: a play of the cards. my draw, then his. a move and a response.

They wanted to treat us to our last night in Monteverde, they said, as we stepped away from the arena. We followed. He kickstarted his bike, calling my name. I jumped on and we flew across the bumpy road of that small, uncharted rainforest. 

I could see the pull of his veins as he held the handlebars of the old motorcycle with familiarity. He weaved in and out of jungle terrain, flying past large, wet foliage and ducking beneath low-hanging bunches of bananas. I lifted my eyes to see a sky full of stars, splattered across the sky like diamonds unstrung. He eased off the gas and I brought my arms outward. 


As he put on the brakes and I beheld a view that made my pulse quicken. There, at the peak of Monteverde, a panorama of a magnanimous jungle stood before me, cocooning the distant chattering of monkeys and whoops of playful birds below the settling mist. A dense, humid wilderness wild with life, with a pulse, its own heartbeat. 

The top of the world, he said easily.


How loosely rang the rhythmic cadence of his tongue in the presence of his own, but here words were sparse and chosen with care, as if the telling itself would cheapen all that the silence suggested.


Words were unconfined by the jurisdiction of a definition, each infused with new meanings and connotations that challenged the mediocrity of commonplace words. Lacking access to verbal communication made it so much the more tantalizing. We were fraught with the need to share, to tell, to let loose the billowing surge of something from within.


I told him I didn't want to leave this place. He said he never intends to. And there in the silence, I
 laughed. Then he laughed. There was no reason. No witty aphorism or comical remark to warrant it, but there we were snickering into the vast magical darkness purely as a release of uncontainable awe amid such splendor. 

Perhaps the impermanence of it made it all the more magical. And I fell all over again, for not a man but a people on this night in which so much was said, but so little was spoken.




Rachel LowryThe Tepui Chronicles Part III
Image via

15.7.13

The Tepui Chronicles: South America, Part I




Te·puí:

noun \a-ˌyän-tā-ˈpwē\ Land of the Gods

We were mapless.

Chucking our battered suitcases in the back of a touchy four wheeler, my Aussi friend Jess and I whizzed down the streets of Ipis, Costa Rica. The lush, humid air was so dense it felt as if it were combing through our hair. 


Flashes of green bombay shoots whooshed past as I veered along the winding, crooked streets of this model-like village. Locals walked along the mossy canal waterways, disappearing into close-quartered colored houses. 

It was the beginning of our love affair with South America.


We were sitting cross-legged in a small seafood shack on the corner of the street, catching glances and sometimes smiles from passerby's as we feasted on crab legs and calamari. And I realized that this was it. Wholesome living. Caught in the fear of missing out, I had forgotten that at the root of it all was something as simple as deep breaths, fresh food, human connection and, if necessary, words. 


The rest of the night was a blur of faces and spanish phrases didn't understand. It was a mingling of conversation over hymnals sung in a local cathedral, followed by stops at exotic fruit stands and latin dances with men whose hips shake better than any lady I've ever seen. And then I again took the wheel. Where to? The wind would be our compass, our intuition our guide. 


As the miles under our wheels increased, time was measured by thoughts rather than minutes. We ventured into the rainforest terrain. It was pitch black, but beyond our car window there seemed to be a vast unknown something — something that seemed to suggest we were cradled in the palm of some mysterious, immense natural wonder. We drove through tall vegetation and across what had to have been towering bridges. Under the guise of nightfall, the vast rainforest was untouched by the prying eyes of tourists. And at that moment I swear we were in an undiscovered ocean of foliage that was neither East nor West. 


I felt a sense of possession. I wanted to lay claim on it, call it my own, without the dictates of paperwork or the convention of bills. 


The road took us completely across the country in one night, to the Pacific Ocean, where we ran headlong into the waves. We breathed in salt that stung our noses and cleansed so much more than our air passages. We fell asleep in our car, to the gentle lap of water at the edge of this continent.


We had determined it would be our little secret, this place that remained hidden from a cheap brochure. This place touched by the gods — or rather, as I would believe, one God. 


Rachel LowryThe Tepui Chronicles Part I
Image via

1.6.13

Oh Darling, Let's Be Adventurers








lets be adventurers.

let's transcend beyond the everyday routine for something grand, something bold, something they have told us is not yet possible.

some days, darling, we may need to uproot adventure in the mundane, peddling furiously between the pang of the uneventful, to defy the chasms of repetition and monotony.

but most days, we will stumble upon it without effort, stealing away into the night as self-proclaimed vagabonds, buccaneers, or runaways on a grand heist of Homeric valor and courage.

let's find a place where time is the ample liquid trickling endlessly between our fingers, and loss a mere preference.

let's create a place where alarm clocks elicit twirls & trigger dimples, and our dreams aren't nearly as majestic as reality.

oh darling, these boots were made for so much more than just walking. 







post inspired by her @ 2011 Rachel Lowry. 
All Rights Reserved.

23.4.12

Little Letters Series: From My Future Self






One day you will lay claim to residence upon the edge of a continent. The paint on your front door will be chipped by the salt of the sea. The drapes of your windows will be worn by the wind. Your feet will be calloused by the unrefined grain of the boardwalk upon which you will walk. 


Walk. Never stop walking.

For one day you will have walked the miles you now have before you. Your hands will be stained with the ink that has formed your stories. Your sleeping patterns will be upset by late nights spent in your grand undertakings, for some most powerful some kind of good that is entirely your own. Your eyes may be strained in this search for good. Your fingers may weaken in their attempts to recompense for the deficiency.

Deficient.

Some days you may be. your heart may tire of the pulsations your foibles could cause. Your posture may have, at times, lapsed at the possibility of failure. Your ears may ring with their criticisms. But they cannot touch that part of you that hungers to prove them wrong, that part that whispers dim secrets of what you could be.

Be. Continue, ever, to be. 

Persist, sift, pursue.

For one day you will know it. Your muscles will ache under the long days. Your throat will be dry with interviews. Your hair will be unkempt from the days there are not enough hours. And one day, yes, one fine day you will have forgotten that it ever could have been for anything else.

One day, darling girl, you will lose all the right things.

Yours sincerely,


@ 2012 by Rachel Lowry. All Rights Reserved {photo via: vi.sualize.us} (post inspired by meg)

7.11.11

Those of the Wing'd Capacity
























It was morning, but the sky was silenced, still, by the dominance of night. She knew well the pull of gravity, the weight of the stars beyond the horizon. But she also remembered dawn.

She slipped her feet from her shoes, slowly placing her toes upon the thin, white sheet of frost that blanketed the dark underlying pavement. Toe, then ball, then heel. She drew them, pointedly, across the   ground, one step, two step, three step. Slowly, the arms around her cold body came to her sides, fingers parting in sudden tremor. The tight knot above her head came loose, locks of tresses enveloping her shoulders. The fabric that once clung to her core blew against her, rising and falling with the heaving in and out of her chest.

And she danced until her heart thundered from within; until her eyes need not remain open; until the ground ceased to meet her feet and the birds be her sole companions.

@ 2011 by Rachel Lowry. All Rights Reserved {photos via vi.sualize.us}

2.9.09

Oh the Places You Will Go


It happened like it always does. My throat tightens, my skin tingles, as if relinquishing its hold upon the rest of my body. I knew it would happen like this, was losing sleep in anticipation of this moment. And just when I couldn't take another moment of this perpetual waiting game of incessant preparation, I find myself in a rush of panic, wondering how the moment swooped by so suddenly and caught me completely dumbstruck and unaware.

And then I did it. I let slip the final goodbye. I'll never forget their eyes as I drug my luggage over the line they could not cross. Sitting here on a plane headed to London, floating just above a blanket of whiteness that seemed so far out of reach just moments ago, I realize that the long-awaited moment is finally here: I am London bound.



13.7.09

Maps & Things

Apologies for the absence, folks. I traveled to Chicago on a road trip across the states this month, where I learned things like greeting people as 'folks.' My sister and I endeavored to travel across half of the states in the U.S. old school, with just a map. The result was many u-turns and some wonders off the beaten path. 

5.10.08

In My Element

The concert hall was still.

Gone were the echoes of applause. Bare were the walls, the projections of flickering shadows - a head thrown back in laughter, a shift in position, the lifting of spectacles. Silent, abandoned, were the spaces between which flaunted opera prima donnas, outside of which perused orchestral connoisseurs, and within which darted theatrical aficionados. And I could hardly lament this quietness, for it seemed, at this moment, all mine to fill.

I knew I shouldn't be there, but I'd never been that close to a piano since the day I lost it all. My uneven footsteps clumsily take the grand stage and I command the attention of my many ghosts, those figments of my imagination that fill every empty seat of the grand opera house. I walk to the piano. The smell of the piano's mahogany interior is always the first thing I remember. I place my weather-worn, dirty fingers upon the smooth, white ivories, and feel the familiar weight of gravity as I begin to push against them.

Each tinkering of a note lingers upon my fingertips and my audience stills their breathing to hear the next rise, and, they will anticipate, the impending final fall of the delicate melody. But. They are mine to surprise: I give them no fall. I leap prematurely into a rich interweaving of notes, a profusion of bright and joyful cadences. I unbury my head from the piano, to see only upturned mouths. My fingers dance across the keys with the lightness of a swallow. But then, they must come down; always, they must come down. How do I bring them down so suddenly? I turn fingernail to key and draw upward, playing every note in a splendid crescendo. The crescendo slows and my audience turns their ears inward as I halt.

A blatant B flat begins the slow, minor march. Aggravated discordance pierces their ears and I cringe as I strike the chords to aggressively, so unflinchingly. But the beginning melody can always overcome. And the fluid notes most poignantly run their course, ringing against the silence. Fingers held, pedal down, I listen to the final note as it bounces against the interior. The crowd applauds.

The concert hall is humming.

I then return to my corner on the street, where a man in a suit turns and asks, "Do you know where I can buy a latte?"

@ 2011 by Rachel Lowry. All Rights Reserved {photo via: vi.sualize.us